Tag: 32º East

The Boda Moment. Positioning Socially-Engaged Art in Contemporary Uganda

In this article Carlos Garrido Castellano examines two socially engaged Ugandan art projects: the Disability Art Project Uganda (DAPU), and Lilian Nabulime’s AIDS sculpture. By analyzing both initiatives, I attempt to characterize a new moment in the relations between artistic practice and social intervention in the Ugandan context. I argue that projects such as DAPU and Nabulime’s are confronting the current Ugandan situation of economic and political transformation, marked by the weight of the informal and the challenge of a nation-based cultural sphere. Finally, I point out some similarities with other African socially-engaged art initiatives.

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Ife Piankhi in Residence at 32° East

Ife Piankhi is a recent artist in residence at 32° East | Ugandan Arts Trust where she explored communal trauma, communal healing and identity through poetry, painting, woodwork and collage arts. Ife explored these themes and a variety of materials from May to July of 2017. She also hosted two community conversations to exchange stories and viewpoints concerning transatlantic slavery, personal stories of migration and where the possibilities for healing lie. A video by Nikissi Serumaga-Jamo.

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A Tree in Public Space

In October 2014, a Mutuba or fig tree was the focus of intense debate during an art exhibition. The Mutuba grows across tropical Africa, and is farmed in Uganda for its use in the making of bark cloth. This centuries old tradition is both cultural and historical. Therefore, it is surprising that the debate at the time, between the KLA ART 014 exhibition organizers and the KCCA, Kampala Capital City Authority, involved a disagreement about where the tree would be planted.

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Art writing encourages dialogue in the Arts

Last year in March, 32°East, a centre for contemporary arts in Uganda run a art writing residence for three months at their premises in Kansanga. The program co-sponsored by the British Council and Startjournal.org had one art writer, Dominic Muwanguzi, researching and producing articles that were published in the online journal.
Based from his experience from the residency, Muwanguzi a seasoned art journalist working in Kampala became more confident in his writing. For once, he became aware of the relationship that exists between writer, artist and audience.

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Music to the ears

Recently I was listening to this ballad by Fela Anikulapo Kuti where he asserted that it is in the Western cultural tradition to carry sh*t. That Africans were taught by European man to carry sh*t. Dem go cause confusion and corruption’. How? Dem get one style dem use, dem go pick up one African man with low mentality and give him 1 million Naira bread to become one useless chief.
Artist Henry Mzili Mujunga speaks his mind about interference within the art scene in Africa.

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The Lubare and The Boat: Alexander MacKay’s Spirit Rises at Deveron Arts

On the weekend of June 14-15, two contrasting cultures came together under the umbrella of art to celebrate the life and times of Scottish explorer and missionary Alexander MacKay, who devoted his life to journeying through Uganda. Ugandan artists Sanaa Gateja, Xenson, and art curator Violet Nantume joined forces with Deveron Arts in Rhynie, Scotland, for a two-day event filled with creative activities centred on cultural integration.

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