Tag: Femrite

Bayimba Comes of Age

When programming, we extensively discuss how you, our audience would experience the festival, the final product. “However programming our annual festival is a creative process, of equal importance as the final product in itself. It is a process of experimenting and exploring, in close consultation and cooperation with both artists and partners we select.”

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Censorship and the Arts in Uganda

“As the eighth edition of the Wazo Talking Arts proved, while the expectation is of artists to be at the forefront of debate and to challenge the status quo, artists are also a product of their culture, religion, and politics; their work cannot be separated from their experience. In other words artists are human beings, artists can be frightened, and artists can be ideologically conservative or liberal. If there is one attribute that artists need to create meaningful, challenging, even great work in the face of possible censorship, then that attribute is courage.” Farida Nabalozi reflects on Censorship and the Arts in Uganda.

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Outlook 2012: Six leading Ugandan arts and culture professionals share their visions

Faisal Kiwewa, Director of Bayimba Cultural Foundation, Adong Judith Lucy, a renowned playwright, film maker and arts practitioner, John Bosco Kyabaggu, production manager at the Uganda National Cultural Centre, Ronex Ahimbisibwe, a renowned visual artist, Maurice Kirya, musician and brainchild of the Maurice Kirya Experience, and Joel Sebunjo, acclaimed Ugandan world music artist, all share some thoughts about 2011 and 2012.

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A Writers’ Residency bearing fruits

This writers’ residency, organised by Femrite (Uganda Women Writers Association) in partnership with The Swedish Institute, is the first of its kind in Uganda. On the whole, it has been a successful endeavour. For the year 2010 it was held in Jinja. It attracted participants from Ghana, South Africa, Nigeria, Tanzania, Kenya, Zambia, and of course Uganda. The fruits from the 2010-series are documented in a publication by Femrite: ”World of Our Own”. This short story collection was launched on November 24th 2011. Lillian A. Aujo reviews.

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Women’s Voices: A discussion on English literature in Uganda

“When women’s writing talks about sexuality, its accomplishment is twofold: it works at breaking down the silence around sexual taboos, as well as revealing ways in which women both lack and execute power within sexual and gendered experiences.” Canadian Jessica Veaudry has reviewed the Ugandan novels “The Official Wife”, “Cassandra”, and “Memoirs of a Mother”.

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The Butterfly Effect: An interview with Caine Prize-nominee Beatrice Lamwaka

The story Butterfly Effect was written by Beatrice Lamwaka, and was short-listed for the 2011 Caine Prize for African writing, a prize that many writers on the continent aspire to win. The nominaton has strengthened Beatrice’s belief in herself as a writer. However, when she writes, she says it is important she does it without the conscious nagging of being a short-listed winner of this prestigious prize.

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Poetry in Session: An intellectual revival in Kampala

In the midst of the proliferation of entertainment joints extolling the virtues of “baby take off your clothes’’ music, a remarkable revolution of poetry is taking place, in the Kampala suburb of Kira Road, at a gallery called Isha’s Hidden Treasures. What started last November with an audience of 15 people has now turned into a much-anticipated meeting of minds. Achola Rosario reviews the event.

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